It's a real challenge for us to in very limited rehearsal time with a lot of events going on simultaneously put together especially a program of this difficulty and variety together and lightning fast. The two pieces are musical cousins and were actually intended to be so. What does it mean to this orchestra? (University of Rochester photo / J. Adam Fenster) Berry holds a B.M. George Walker composed it in 2003. 3 of Florence Price, performed by the Gateways Music Festival Orchestra conducted by Anthony Parnther in the orchestra's Carnegie Hall debut and he first time that work has ever been performed at Carnegie Hall, written in the 1930s with help from the federal government, the WPA program at that time, Florence Price created this Symphony No. What's making the occasion even bigger is that they will be presenting a world premiere, a piece so new, the ink has barely dried on it. John: It was wonderful to see you turn and conduct the audience in that final piece as well. "Oh, well this is classical music. It seems like there was a real intention behind the planning of this program today. Another first for this concert by the Gateways Music Festival Orchestra. Alex: This music we call classical likes to drape itself in narratives of universality and likes to position itself as being aracial and reflecting some universal culture. "The first time I played in an all-Black orchestra was at . The Gateways Music Festival is getting a substantial grant to continue its mission of supporting classical musicians of African descent. Subscribe to Gateway Notes, the GFO Newsletter, and "Get the Know with the GFO"! Jeff: This is going to be quite a wonderful world premiere and a big occasion. Enjoy the show. That was cemented well before I became involved. The project sought to, " . Jeff: That composition is also being given its first hearing in Carnegie Hall in this performance. Founded in 1993, the orchestra brings together classical musicians of African descent from professional orchestras around the nation to share in music making and performance and to promote its philosophy that classical music belongs to all people, and that people of African descent have played an important role in classical music for centuries.. We are going to hear the world premiere of I Can. Instead of a minuet or scherzo with trio you got a Juba. This April, the Gateways Music Festival Orchestra, comprised entirely of classical musicians of African descent, presents events around NYC, culminating with its eagerly anticipated Carnegie Hall debut on April 24. It turns out that Gateways isn't just an organization that serves musicians. Ruling year info 1999 President & Artistic Director Mr. Lee Koonce Main address 26 Gibbs Street Box 58 Rochester, NY 14604 USA Show more contact info EIN 16-1562873 Alex: All right. General Admission. I can play rap. In 2009, some people were renovating an abandoned house outside of Chicago, lo and behold, they discovered all of these manuscripts and it turned out that it was not all, but most of Florence Price's compositions. Another curtain call for Conductor Anthony Parnther. We don't actually have a complete score for the second. Lauren Purcell Joiner, Christine Herskovits, Eileen Delahunty, and Max Fine. That was my first Gateways. Okay. Hear both works performed by outstanding members of the acclaimed Gateways Music Festival Orchestra, conducted by longtime Marsalis collaborator Damien Sneed. The concert featured conductor Anthony Parnther of the San Bernadino Symphony Orchestra and Southeast Symphony & Chorus in Los Angeles; and Grammy Awardwinning pianist and composer Jon Batiste, who performed the world premiere of a commission for the orchestra. I should have asked you that before this began, but I'll lay it on you anyway. I'd love to see this orchestra personally go on tour so that audiences outside of New York State have the privilege of witnessing the power and beauty of such a special ensemble. In the spirit of sharing a little of the backstory behind this piece, I want to share a poem that I wrote. As you noticed, the audience responded in-hand to what they saw visual and it was just another extra element of all of these people on stage celebrating our heritage. It takes active participation to do that. Over the course of each six-day festival, the musicians give a full orchestral . . Absolutely. 4/25/2022 12:00 AM. From hall music by the late American composer, George Walker, his SinfoniaNo. They're leaving the stage for a few minutes, but we have managed to grab one of them by the coattail as he walks by. The concert concludes with James V. Cockerhams Fantasia on Lift Every Voice and Sing, a rousing and epic musical journey from Africa to the new world which has become the signature piece of the Gateways Orchestra. John Schaefer's here as well. Conductor Anthony Parnther led this orchestra, all musicians of African descent, and. His answer was, "I felt that Carnegie Hall, that places like that were not meant for people who looked like me and it was important to make that step and to be seen on that stage. Jon: First, I would love to thank everyone who made it possible for us to be here, the ancestors who are watching over us. Experience the rich sounds of the @gateways_music orchestra on Wednesday, April 20 at @EastmanTheatre for free. It would come up. It's a real honor to be here with all of you and in my inaugural. Because of limited seating capacity in the Rose Auditorium, we urge you to get your tickets as soon as possible. Kelly Hall Tompkins, the concertmaster giving the Gateways Music Festival Orchestra a chance to retune after that Brahms opening. WQXR is a proud media partner of the Gateways Music Festival 1,198 views Apr 19, 2022 On April 24, 2022, at 3pm WQXR is proud to present a live broadcast of the Gateways Music Festival. The concert features Jon Batiste, who just won five Grammys at this year's ceremony, including the highly-coveted title, "Album of the Year". Anthony: I just feel that as musicians, our first responsibility is to come together and create beauty. I think also really significant for us is this is the first time that the orchestra or the festival has toured, has branched out of being in one place. Right now, the stage door opens and back out to center stage here at Carnegie Hall, strides the conductor Anthony Parnther to lead this first performance at Carnegie Hall of George Walker's Sinfonia No. Featuring Johannes Brahmss Variations on a Theme by Haydn in B-flat Major, Op. She created Gateways. What does it mean to have you and your colleagues in this place at this time? That is as Lee Koonce told us again and again, that's one of the most important things that's happening here this afternoon. Jeff: The ensemble taking center stage is part of the Gateways music festival, a larger organization dedicated to providing a community and a performance hope for classical musicians of African descent. Best known popularly in the world these days is the music director for. John: A drum kit as well will be called for in this next piece by Jon Batiste, who is a Perspectives artist here at Carnegie Hall, which means he gets to oversee a whole series of events during this 2021-22 season. Accuracy and availability may vary. Anthony Parnther, conductorAntoine T. Clark, assistant conductor, VIOLIN I Kelly Hall-Tompkins, concertmaster Cleveland A. Chandler Daniel Constant Caitlin Edwards Mellasenah Edwards Brendon Elliott Alex Gonzalez Mariana Green-Hill Marianne Henry Ashley Horne Amyr Joyner Kyle Lombard Jessica R. McJunkins Chelsea Sharpe Lionel Thomas Anyango Yarbo-Davenport, VIOLIN II Derek Reeves, principal Lucinda Ali-Landing Charlene Bishop Jeffrey Boga Dale Breidenthal David Burnett Nicole Cherry Frdrique Gnaman Bennie Harris Joshua Henderson Sarah E. Martin Phillip Payton Meredith Riley Booker Rowe, VIOLAJennifer Arnold, principalLeslie DeShazorAndrew FrancoisAshleigh GordonLinda GreenChristopher JenkinsCaroline JonesJaven LaraDeidra LawrenceAundrey MitchellYvonne SmithGeorge Taylor, CELLO Troy Stuart, principal Ifetayo Ali-Landing Cremaine Booker Eric Cooper Gordon Grubbs Joseph Hbert Timothy Holley Thapelo Masita Prudence McDaniel Derek Menchan James Ryan Murphy Wayne Smith, DOUBLE BASS Rick Robinson, principal William Johnson Kevin Mauldin Anthony Morris Jacqueline Pickett Patricia Silva Weitzel, FLUTE Judith Dines, principal Dennis Carter Jacqueline Cordova-Arrington Patricia Reeves, OBOE Titus Underwood, principal Hassan Anderson Sarrah Bushara Geoffrey Johnson, CLARINET Alexander Laing, principal Pamela Coats Robert Davis LeTriel White, BASSOONJoshua Elmore, principalAlexander DavisKai RockeMaya Stone, FRENCH HORN Larry Williams, principal David Dickerson Adedeji Ogunfolu Priscilla Rheinhart Jeffrey Scott, TRUMPET Herbert Smith, principal Javian Brabham Leonard Foy Courtney Jones, TROMBONE Burt Mason, principal Isrea Butler Timothy Robinson Martin McCain (Bass), PERCUSSION Ralph Barrett, principal Jauvon Gilliam Cleo Goldberg Don Johns Terry McKinney. During the Gateways Music Festival, 125 professional classical musicians of African descent come from across the United States, Canada, Europe, the Caribbean and South America to Rochester,. GATEWAYS MUSIC FESTIVAL ORCHESTRAMichael Morgan, ConductorKodak Hall at Eastman Theatre60 Gibbs StreetSunday, August 1816, 201320154:00 p.m.Master of Ceremon. John: We should also mention Kelly Hall Tompkins, if that's a familiar name to our WQXR listeners, there's a good reason for that. John: A terrific program today bookended by two sets of variations. John: Another curtain call for Conductor Anthony Parnther. A very gala-feel to this event. In 2015, Anthony was profiled by Los Angeles' KCET/TV as a "Local Hero" for his extensive community outreach and advocacy for the performance of works by Black, Latinx, and Women artists. I want to come back to Jeff's first question to you, which was about the significance of being here. A A. A critically acclaimed series . It's a new work by Jon Batiste, the Grammy-winning pianist and band leader you may know from The Late Night with Stephen Colbert. Not heard in this place until just now by the Gateways Music Festival Orchestra. I think that's really a significant thing that's happening right now in real-time. Now, Batiste on his feet, really not moving away from the piano, receiving the applause from this audience and passing it on to all the members of the Gateways Music Festival Orchestra, and a deep bow from everyone on the stage. I love the way this harkens back to the days of Mozart and Beethoven, who would also write works that contained a great deal of written music finished for the players but also places for them to improvise. I think we rose to the occasion. Does that resonate with you? Since 1995, Gateways Music Festival has brought together professional classical musicians of African descent in Rochester, NY to both celebrate the contributions and increase the visibility of. I can play gospel. Our mentor's other vision was that the Black community in particular, all communities but the Black community needs to see people of African descent up on the stage playing this music and it's about representation. Black Lives Matter. You'll find lots of stuff on the wqxr.org website that Kelly was involved with during her time with the APL. Gateways Radio airs Friday evenings at 9 p.m. beginning on February 3. John: For his album, We Are. He also told us they want to be a resource for the larger community. She's never taken medication. Of course, that's not true. John: There were two halves to the concert, obviously before and after intermission. 560 Trinity Ave, St Louis MO 63130. If you can see it, you can be it, is the expression. The historic concert was broadcast live on WXXI in Rochester and on the New York City classical station WQXR. Gateways Music Festival's mission is to connect and support professional classical musicians of African descent and enlighten and inspire communities through the power of performance. The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the famed venue. Another first for this concert by the Gateways Music Festival Orchestra. That's more than 20 years now. Lee: I think it is very much Jon. General Admission. 56a; George Walkers Sinfonia No. Jeff: That feels like the two-fold idea of Gateways too. We're talking of the depression years in America, a work in four movements meant to evoke music from African American tradition. The festival originated in Winston-Salem and then moved with our founder, Armenta Hummings Dumisani to Eastman where she was on faculty. As soon as we hear that cord progression, our congregation stands, and we sing. We have made 400 complimentary tickets available, and you can reserve yours at the link below with promo code RACF50. The African cloth comes out and no two people look exactly the same. To come to a place where there are folks who've had a shared life experience, it's extraordinary for them. We should mention too that I Can, this new work also is credit offered in the program to orchestrator Matt Wong. KODAK HALL AT EASTMAN THEATREEastman School of Music60 Gibbs StreetRochester, NY. Well, Jon Batiste had a little church meeting going when he was reading his poem before the premiere of ". The Gateways Music Festival Orchestra makes its Carnegie Hall debut this month led by Anthony Parnther . The Gateways Music Festival Orchestra from Carnegie Hall Live. That's available to everyone. Visit our website. Of course, the orchestra, a whole bunch of people on stage, makes a great sound, gets a lot of attention, makes a big statement. That is the first time that piece has been played on stage here at Carnegie Hall, by an orchestra also making its Carnegie Hall debut in this special event. Instead of a minuet or scherzo with trio you got a Juba. GATEWAYS MUSIC FESTIVAL, INC. 26 Gibbs Street, Box 58 Rochester, NY 14604. info@gatewaysmusicfestival.org (585) 274-1170. 230 were here. He serves as teaching artist for Aspen Music Festival and the National Youth Orchestras program at Carnegie Hall. There are some elements of truth to that, but what's happening in a concert hall is not just a celebration of Brahms and Walker and Batiste and Price, but it's also a celebration of the audience. Gateways Music Festival is thrilled to announce that renowned Hollywood and symphony orchestra conductor Anthony Parnther will lead the Gateways Orchestra for its concerts in Rochester, NY and New York City, including the Orchestras Carnegie Hall debut! Michael Morgan, conductor. Follow me. . (University of Rochester photo / J. Adam Fenster), downloading the latest version of Internet Explorer, Gateways Music Festival Orchestra makes Carnegie debut, Fantastic Rochester undergraduate research highlighted at annual expo, How to get a job after college: 5 tips for juniors and seniors. GATEWAYS MUSIC FESTIVAL, INC.26 Gibbs Street, Box 58Rochester, NY 14604, info@gatewaysmusicfestival.org(585) 274-1170, Watch "Inspiring Through the Power of Performance". Bach to the Future will perform with the Gateway Festival Orchestra 7:30 PM, Sunday July 10, Washington University Brookings Quadrangle. Kelly Hall Tompkins, the concertmaster giving the Gateways Music Festival Orchestra a chance to retune after that Brahms opening. What's the potential of this orchestra? In Wynton Marsalis's re-imagining, A Fiddler's Tale, he takes Stravinsky's early jazz ingredients even further, melding jazz and classical idioms together with an updated narrative. We're delighted to welcome to the Carnegie Hall microphones, Alex Laing, who is the principal clarinet of the Gateways Music Festival Orchestra, and also with the Phoenix Symphony, and is an educator and a speaker around the country. The Sphinx Organization, based in Detroit, supports young Black and Latinx musicians, the Gateways Music Festival in Rochester features musicians of color from around the country, and the . Favorites More Music Features When I got the call to be part of this momentous occasion tonight and the request was to write a piece that was inspired by a written word, this felt very apt. Enjoy the rest of your brief intermission. What else is Gateways beyond this? The Gateways Music Festival Orchestra makes history as the first all-Black orchestra to feature at Carnegie Hall in the venue's 130-year-history, Harlem World Magazine reports. What does it mean to have you and your colleagues in this place at this time? . One of which is to support musicians of African descent who are isolated even in the ensembles in which they play as happens in other kinds of workplaces in the world, but also looking out at, as you said, the audience members who haven't found that Carnegie Hall is for them as well. to conclude and in between, four works by four composers of African descent that even if they weren't world premieres like Jon Batiste's work, were the first time they were being heard on the Carnegie Hall stage. We'll hear her Symphony No.3, one of more than 300 compositions of hers, symphonies, concerto, chamber music, and choral music, most of which were lost for decades. It's intermission at the Carnegie Hall debut concert of the Gateways Music Festival Orchestra. I think it's really interesting, Alex, that this idea that-- Representation, of course, is important, but this idea of the narrative of classical music is beyond race, is something universal. Now, Batiste on his feet, really not moving away from the piano, receiving the applause from this audience and passing it on to all the members of the Gateways Music Festival Orchestra, and a deep bow from everyone on the stage. The Gateways Music Festival Orchestra, making their debut today, taking their place alongside the Clef Club Orchestra and a lot of other great African American musicians in the illustrious history of Carnegie Hall. This concert is in fact part of his Perspectives series, but today's premier. It's complex because each section has so many different contrasting qualities. That's an unfair question. My good friend Titus Underwood likes to often post the question to American orchestras, "Are we American orchestras or are we European approximations?" I wonder if in working with them now if any vision has occurred to you? Now we're so pleased to welcome to the Carnegie Hall microphones, Maestro Anthony Parnther. The performance was the first by an all-Black classical symphony orchestra in Carnegie Hall's history. Butler is a Conn-Selmer clinician and performing artist. The members of the Gateways Orchestra are heading back out on stage at Carnegie Hall. What else is Gateways beyond this? John: It is interesting that you went to Mozart and Beethoven. All Rights Reserved. The Gateways Music Festival Orchestra made its Carnegie Hall debut on Sunday afternoon, April 24, with conductor Anthony Parnther (far right) and Grammy Award-winning pianist Jon Batiste (in gold). That annual festival, which features classical musicians of African descent, will include a performance this coming. Of course, personally, I would love to see this orchestra come together more frequently. The conclusion of seven days of performances in New York City. Anthony has conducted artists spanning every musical genre including Joshua Bell, Jessye Norman, Yundi Li, Lynn Harrell, Frederica von Stade, Roderick Williams, Canadian Brass, Jennifer Holliday, Kanye West, Imagine Dragons, Omar Apollo, and Alan Walker. Ticket prices vary by location. I just feel that as musicians, our first responsibility is to come together and create beauty. Thank you, gentlemen. Although certainly, his most famous piece is the Lyric for Strings. We principally had one and a half days to piece this work together. Jeff: A great big deep bow and a warm welcome to this Carnegie Hall audience. John: Their conductor back out on stage, pointing out the different sections of the orchestra, thanking them for their performance on this program, and asking members of the ensemble to rise. -on stage, certainly, but certainly I think this was the best possible opportunity to have my first outing with this great orchestra on this great occasion. Of course, the orchestra, a whole bunch of people on stage, makes a great sound, gets a lot of attention, makes a big statement. 3 of Florence Price, performed by the Gateways Music Festival Orchestra conducted by Anthony Parnther in the orchestra's Carnegie Hall debut and he first time that work has ever been performed at Carnegie Hall, written in the 1930s with help from the federal government, the WPA program at that time, Florence Price created this Symphony No. She is deeply grateful for the many . Founded in 1993, the Gateways Music Festival Orchestra celebrates the contributions of classical musicians of African descent, bringing together professionals from leading orchestras across the country to perform and inspire communities through the power of music. As long as we stick to that principle, I think that's the vision. It's an ensemble made up entirely of classical musicians of African descent, from orchestras around the country. Jeff: From Carnegie Hall Live, the world premiere of I Can, composed by Jon Batiste and performed by him at piano and the Gateways Music Festival Orchestra, making its Carnegie Hall debut in this concert under the direction of conductor Anthony Parnther. Lee: It's this kind of dual mission. That was cemented well before I became involved. Female Speaker: Okay. As you know, you're moving an orchestra or a music festival across a giant state like this is a big effort. Since then, musicians have been eagerly performing this real treasure trove of music. Alex, thank you for stopping by. a series of exciting broadcast concerts drawing upon some of the finest live performances from Carnegie Halls stages over the past eleven years. As you know, you're moving an orchestra or a music festival across a giant state like this is a big effort. That type of dance and the music that accompanied it was so important that Florence Price actually gave that name, Juba, to the third movement of all of her symphonies. Her goal was "to open the gates to classical music for musicians and audiences alike so that as many people as possible could play, see and hear the music". General Admission. John Schaefer: It's a big event for the members of the Gateways Music Festival Orchestra coming down to Carnegie Hall from their home in Rochester, in upstate New York. They were led by James Reese Europe, and they were one of the finest Black music ensembles to perform in Carnegie Hall and one of the first at that time. Not heard in this place until just now by the Gateways Music Festival Orchestra. A great big deep bow and a warm welcome to this Carnegie Hall audience. "Oh, well this is classical music. Music Director The Gateway Festival Orchestra of St. Louis Home Music Director Darwin Aquino, Music Director Darwin Aquino joined the Gateway Festival Orchestra as Music Director in 2019. The all-Black Gateways orchestra makes its Carnegie Hall debut on April 24, after a week of events at Harlem's Abyssinian Baptist Church, the Schomburg Center for Research in Black Culture, and other key NYC cultural spots.The orchestra represents a supportive artistic home for its members, all of whom are professional classical musicians of African descent. The Gateways Music Festival is opening up a vital future for classical music, and we are honored to be part of it." To learn more about Gateways Radio or locate stations that broadcast the series, go to GatewaysRadio.org. What was the idea there? A terrific program today bookended by two sets of variations. Media Only: Dolores Orman, Gateways Music Festival, 585-271-5185, dolores.orman@gmail.com Attendees must show proof of vaccination and wear a mask indoors. WEDNESDAY, APRIL 20, 2022 | 7:30 PM The 120-member Gateways Music Festival Orchestra, whose distinguished players hail from the nation's foremost orchestras and conservatory faculties, is renowned for its bold sound, exciting interpretations and uncompromising pursuit of artistic excellence. Thank you so much. Today, 110 years later, another African American orchestra is making its first appearance on the stage of Carnegie Hall. Only one ticket is required for both the film screening and the lecture. For a complete listing of Gateways events, repertoire and artists plus ticket purchase information, visit the Gateways web site at: www.gatewaysmusicfestival.org. 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